Could Game of Thrones’ dark cinematography style boost TV sales?

Could Game of Thrones’ dark cinematography style boost TV sales?

We’ve been warned time and time again that the night is dark and full of terrors, but I don’t think we realised just how dark things were going to get…

Episode 3 of season 8 of Game of Thrones aired this weekend, and it was quite the spectacle. Without writing a bunch of spoilers, let’s just say it was 82 minutes of genius writing and acting. I laughed, I cried, I cheered, and I squinted… I squinted a lot.

Set at night-time, and in amongst an abundance of fog, there was no doubt that it was going to be dark and mysterious. But along with the 70,000 other fans who complained on Twitter, I was unable to see a damn thing during certain scenes.

I found myself pausing the show and desperately fiddling about with image settings on my TV. I checked my internet connection, I turned all the lights off, I closed the blinds, but it didn’t matter what I did, there seemed to be some problem with the cinematography.

Or was there?

“No, it wasn’t a technical hitch, it was intentional, as the showrunners and director wanted the episode to be dark and forgot to tell viewers that it should be watched in a dark environment,” Dan Todaro, MD of Gekko Field Marketing told PCR.

Sure enough Fabian Wagner, the show’s cinematographer, insisted that his filming wasn’t to blame for the issues and HBO’s compression of the episode was to the problem. However, despite all the back and fourth finger pointing, it’s not really any one group’s fault.

“The GoT cinematographer is claiming that the pixelation and muddy dark colours that fans encountered on their TVs and mobile devices were due to HBO’s compression of the episode, made worse if being viewed on a streaming service with a weak connection,” said Todaro.

“However, is this more a case of technology overtaking consumer demand? Not everyone has the technology to view in UHD either on a device or TV yet flagship ‘big budget’ productions are using today’s technology. Compound this with a splash of creative licence and run the risk of upsetting die-hard fans, as happened with this episode.”

This is the same conclusion that I came to. My TV is almost 7 years old. Is it technically MY fault that I don’t have the right technology in my home to enjoy such advanced cinematography? And if so, how many other people are having their entertainment ruined by simply continuing to use their current devices?

“Interestingly, over half of British consumers buying a new TV are doing so because they are replacing an existing, working set (44%) or buying an additional set (16%),” pointed out Todaro. “The HDR feature is particularly important to those upgrading or buying an additional product indicating that not everyone has the capability to enjoy content as intended by producers.”

To read the full article please visit PCR.